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Statement bespoke media wall with fluted panels, brass detail and integrated lighting by LV Carpentry
Media Wall Design

Bespoke Media Wall Design, From Layout to Finish

Explore timber, panelling and illuminated shelving, then shape the proportions and finishes around your room. Bespoke media walls from £8,500 including VAT.

Our own team — no sub-contractors
5-year workmanship guarantee

Design directions

Find a starting point for your room

Begin with the feature that matters most to you. These design references help you compare materials and layouts; the final combination is drawn around your room, equipment and brief.

Timber media wall with open shelving and a concealed door within the panelling

Design reference

Timber and veneer

Explore oak, walnut and darker timber finishes. Grain direction, door lines and concealed access can all form part of the composition.

Explore timber designs
Full-height timber panelling around a television and fireplace with fitted cabinetry below

Design reference

Panelled feature walls

Carry the wall treatment beyond the television. Compare fluted profiles, painted panels and plaster finishes with the rest of your room.

Explore panelled designs
Dark media wall with empty illuminated shelves, lower cupboards and an integrated fireplace

Design reference

Shelving and storage

Balance open shelves with closed cupboards. Plan shelf lighting, equipment access and the items you need to store before settling the layout.

Explore shelving designs

Working with an awkward angle? Explore our corner media wall layouts. For finished installations and more design references, visit the project gallery.

Head of Design

Daniel Brewstini

Daniel has been designing and creating statement interiors for over seven years. His rule is straightforward: if a brief is ordinary, he will tell you. He takes on commissions because the design challenge interests him, not because the budget is sufficient.

Much of what shapes his eye came from travel. Working across the Gulf states, West Africa and the Caribbean gave Daniel an instinct for materials and light that most UK designers never develop. He learned early that tone-matching is not about picking colours from a chart. It is about understanding how a space changes through the day, how a surface reads under artificial light, and how different materials carry weight in a room. That fluency in tone and finish is what separates a well-made wall from one that genuinely belongs.

Daniel's work sits at the upper end of bespoke because that is where the brief gets interesting. At this level clients are not buying a product. They are buying resolved design: finishes that are specified rather than selected, proportions that are drawn rather than estimated, and a space that holds up to living in. That standard shapes every commission he takes, regardless of budget.

The fitted media wall work also led Daniel and Luca to establish Brewstini's bespoke furniture studio. Its freestanding television, record and audio cabinets carry the same approach to proportion, materials and made-to-measure storage beyond the limits of a fitted installation. Read the story behind the partnership.

When Daniel designs a media wall, he starts with what the room already says and builds outward from there. The TV is the last consideration, not the first.

"When an object commands hours of your day, it must also command your admiration."

Daniel Brewstini, Head of Design
Discuss Your Brief
Bespoke media wall with velvet panel, walnut joinery and brass sconces designed by Daniel Brewstini
Design Influences

Where the Ideas Come From

Bold geometry and material finish

The starting point is always form and surface. How a panel sits, how a reveal catches light, how a material reads from across the room. Getting those three things right is most of the job.

Afro Dandyism and African craft

Daniel draws heavily from African design traditions, particularly Afro Dandyism: an approach that favours richness over restraint, tactile surfaces over smooth ones, and material pairings that most western designers would consider too much. It is the opposite of safe.

Dark wood and panelled cabinetry

Smoked oak, fumed walnut, heavily stained timber. And the cabinet itself as a design object: panelled doors, shadow gaps, recessed handles and joinery details that reward a closer look.

Velvet, silk and upholstered joinery

Fabric on a media wall is still unusual enough to stop people. Quilted silk panels, velvet wrapped surfaces, buttoned upholstery against dark timber. When it is done well it reads as furniture, not carpentry.

Finishes that go somewhere most builders won't

Oxblood lacquer, deep forest panelling, Venetian marble, heavily pigmented plaster. Materials chosen because they say something rather than because they are inoffensive. Each one has been used on a real commission, not borrowed from a mood board.

Materials

Finishes Most Builders Won't Touch

Standard media wall builders work in painted MDF and timber veneer. That is where Daniel starts. For design-led commissions, the material palette extends considerably further. Velvet, quilted silk, book-matched stone and ox blood lacquer are finishes Daniel has used on media wall builds. Each material is chosen for the specific room and brief.

Every material is specified at the design stage and sourced before work begins. Nothing is decided on site. The result is a build where every surface is intentional.

  • Quilted silk panelsUpholstered joinery surfaces that bring texture and warmth. Used as a centrepiece or as a frame around the television.
  • Velvet wrapped joineryDeep, tactile finish that reads as furniture rather than carpentry. Particularly effective with dark or saturated colour palettes.
  • Book-matched stone surroundsTwo slabs cut from the same block, mirrored so the grain flows across the joint. Typically used around a fireplace aperture.
  • Smoked and fumed dark oakTimber treated to deepen the grain rather than stain the surface. The colour sits in the wood, not on it.
  • Fluted brass detailVertical brass reeding used as a column, reveal or handle detail. Warm-toned and works across both contemporary and classical briefs.
  • Ox blood lacquerA deeply pigmented, high-sheen finish in a rich dark red. Unusual on a media wall and immediately recognisable as a design decision.
  • Venetian plasterHand-applied lime plaster with a polished surface. Adds depth and variation that paint cannot replicate. Works well on flat wall panels between joinery sections.
  • MicrocementA thin-coat cement finish applied over existing surfaces. Seamless, matte and industrial in character. Effective in contrast with warm timber or brass.
  • Fluted timberVertically grooved timber panels that add rhythm and shadow to a flat surface. Can be used as a full wall treatment or as a framing element.
Design thinking

What Bespoke Media Wall Design Actually Means

The word bespoke is used loosely in this industry. Most of what is sold as bespoke is a standard cabinet system with different dimensions. A true bespoke media wall design process starts before any timber is ordered. It starts with the room.

Proportion is the first consideration. A media wall that is too tall for the ceiling will make the room feel oppressive. One that is too shallow will look like an afterthought. The wall needs to relate to the architecture of the space: the height of the skirting, the depth of the reveals, the position of the windows and how light moves through the room across the day. These are not details. They are the brief.

Material selection follows from proportion. The wrong material in a well-proportioned design will still fail. Painted MDF reads well in a contemporary flat. It looks cheap in a period room where the cornicing and joinery have a different mass and texture. The same applies in the other direction: heavy stone surrounds and rich timber veneers can overwhelm a smaller space that would be better served by a lighter, more restrained palette.

Lighting is the third element and the most underspecified. Most media wall designs treat lighting as an afterthought, adding LED strip at the end. A designed media wall considers the light source as part of the brief from the start: whether the light should be concealed or visible, warm or neutral, whether wall sconces should be integrated, and how the wall will read when the room is lit only by the fire or the television. These decisions cannot be made on site. They have to be drawn. Every build we take on starts as a measured CAD drawing and a 3D model you sign off before a single sheet of board is ordered.

The result of a properly designed media wall is a room that feels considered rather than decorated. Visitors do not always identify the wall as the reason the room feels different. They feel it rather than name it. That is the measure of a resolved design.

Pricing

Bespoke Media Walls from £8,500

Bespoke media walls start from £8,500 including VAT. The final price reflects your room, the joinery and the materials and finishes we agree with you. More complex specifications are quoted to your brief.

The price reflects the material specification and the depth of the design process. All quotes are fixed and itemised before work begins. There are no surprises once we start.

Your quotation confirms lead time and installation dates.

Book a Design Consultation
Bespoke media wallFrom £8,500
Complex finishes and specificationsQuoted to your brief
With integrated fireplace+£2,000 – £6,000
International commissionOn application

Prices include VAT. TV, soundbar and fireplace supply excluded. Their installation is included where agreed in your specification.

Commissions and Project Management

How to Commission a Design-Led Build

01

Submit your brief

Tell us about the room, the feel you are after and any materials or references that interest you. If you have nothing yet, that is fine. A good brief often starts with a single image.

02

Design consultation

Daniel discusses the design and a guide price with you by telephone. Luca then carries out the measured site survey, so the layout, material samples and practical details can be agreed before the quotation is finalised.

03

Fixed quote and timeline

We produce a fully itemised fixed quote before any work is agreed. No provisional sums, no open-ended pricing. Lead time and installation dates are confirmed at this stage.

04

Build and project management

We manage the full installation. Daniel oversees the build personally. You will have a single point of contact from brief to handover. No subcontracting without your knowledge.

FAQ

Design questions answered

A well-designed media wall starts with the room, not the TV. The proportions of the wall, the ceiling height, the natural light and the existing finishes all inform the design before a single material is chosen. The most common mistake is treating the media wall as a furniture purchase rather than an architectural decision. When it is designed properly, the wall and the room become one thing.

Most media walls use painted MDF, timber veneer or lacquer. Statement builds go further: quilted silk panels, velvet wrapped joinery, book-matched stone, fluted brass, dark stained oak and Venetian plaster are all materials we have used. The material choice is driven by the room, the client's lifestyle and the brief. We bring samples to the design consultation so decisions are made in the actual space.

Bespoke media walls start from £8,500 including VAT. The final price depends on the room, joinery, materials and finishes, with more complex specifications quoted to your brief. TV, soundbar and fireplace supply are excluded. Their installation is included where agreed in your specification. All quotes are itemised and fixed before work begins.

We start with what the room already has: its proportions, its light, its existing palette. Then we ask what the client wants to feel when they walk in. From that we build the design outward. We do not start with a template and adapt it. Every design is produced from scratch for the specific room. We present options with material samples at the design stage so the client can see and handle the finishes before anything is committed.

Yes, and a fireplace changes the design brief significantly. The fire becomes the focal point rather than the TV, and the joinery is arranged around it. Linear fires suit contemporary and statement builds. Traditional fire surrounds suit period rooms. We specify the fire at the design stage so the joinery is built around the correct aperture and electrical requirements from the start.

From initial consultation to installation, a standard bespoke media wall typically takes six to eight weeks. Design-led and statement commissions, where materials need to be sourced and the design process is more involved, run to ten to twelve weeks. We confirm the exact timeline in the fixed quote before any work is agreed. Rush timelines are occasionally possible depending on the complexity of the build.

No. Most clients come to the first conversation with a feeling rather than a brief. A room they liked in a hotel, a material that caught their eye, a vague sense that they want something darker or richer than what they have seen elsewhere. That is enough to start. Daniel's job is to translate that instinct into a resolved design. The clearer the brief becomes by the end of the consultation, the better the outcome.

A fitted media wall is built to fill a space. A bespoke media wall is designed for it. The distinction matters because a fitted unit is a product adapted to a room, whereas a bespoke build starts with the room's architecture: its ceiling height, its natural light, its proportions and its existing finishes. Every dimension, every material and every detail is resolved for that specific space. The result is a wall that looks as though it was always there.

For standard media wall installations we cover London, Surrey and the Home Counties. For design-led and statement commissions we consider projects across the UK and internationally on a case by case basis. Our head of design has completed commissions in Qatar, Oman, Nigeria and the Caribbean. Contact us to discuss your project and location.

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